For many, jazz is a genre only experienced when being placed on hold. Sitting on the line for a few minutes is more often than not followed by the sweet, grainy musings of a royalty-free jazz quartet.
When U2 singer Bono Vox walked into the studio in Ireland one day last summer, he was met by producer Brian Eno and his engineer Danny Lanois. They were listening to some obscure backing tracks the ...
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