A walled canopy tent stands in a small backyard to the side of the Georgia O'Keeffe Museum. It's cold and windy on this late October morning and rainy just 10 minutes before the art workshop is to ...
By Jillian Steinhauer Tamara de Lempicka’s first major U.S. survey invokes her as a trailblazing techno-feminist who borrowed freely from art history. But it also buries her erratic second act.